Claudius confirms that Hamlet killed Polonius, though seeking to take Claudius’ life. Laertes can’t understand why Claudius didn’t punish Hamlet for such capitol crimes. Claudius explains that he has restrained himself, even though he has no intention of letting Hamlet get away with his crimes.
At this point, a messenger arrives with the letters Hamlet has sent in Horatio’s care. Now knowing that Hamlet is still alive, Claudius offers Laertes an opportunity to show his love for Polonius by joining him in a plot to kill Hamlet by engaging in swordplay with him. Claudius promises to arrange a fencing match between Laertes and Hamlet. Hamlet will use a fencing foil, but Laertes’ foil will have an unblunted point. Thus, Laertes can kill Hamlet in front of an audience, and it will appear to be an accident; no one will know it is murder. Laertes shares his own plan to dip his sword in a poison so lethal that a minor scratch will cause instant death. Claudius adds yet another safeguard: He will poison a goblet of wine for Hamlet to drink, so that even if Laertes fails to draw blood, Hamlet will die.
Gertrude interrupts their plotting with her report of Ophelia’s drowning. She describes the young woman’s death graphically, explaining how she had fallen in the brook while weaving flower garlands; the willow tree branch on which she was sitting broke so that she tumbled into the water. Ophelia’s clothing carried her afloat for a time, but eventually she sank to her death. Laertes finds his grief uncontrollable, and he runs out in a rage. Claudius and Gertrude follow him, ostensibly to quell his anger.
Commentary
Claudius struts for Laertes in this scene, but, if we believe what he says, he also demonstrates his ability to care. Caring would mitigate his evil and add to the paradox inherent in his character. As shown in his prayer scene in Act III, Claudius has a Christian conscience even if he is incapable of satisfying it. In this scene he demonstrates that he may also be a devoted husband who prizes the emotional well being of his beloved wife. Despite his knowledge that Hamlet is a great danger to him, he tells Laertes that he has chosen not to hurt his son because the Queen lives almost by his looks, and Claudius lives almost for the Queen.
However, Claudius’ entirely self-serving evil becomes immediately apparent when he explains to Laertes his second reason for not punishing Hamlet for Polonius’ murder: the great love the country has for Hamlet, which would not look kindly on the King who threatened him. Scholars contend that succession to the throne of Denmark was determined by a vote. Knights of the realm chose from candidates who petitioned for the throne. According to the Scandinavian legend, Gertrude’s father was the king before King Hamlet. King Hamlet was selected by his predecessor to marry the princess, and the marriage clinched his election to the monarchy. If these conditions exist, Claudius clearly cannot afford to lose face before his knights, and he cannot afford to lose Gertrude; nor can he jeopardize his tenuous popularity by risking a backlash against the throne.
By exercising his skill with posturing emotions, Claudius convinces Laertes that he has restrained his actions toward Hamlet for reasons that make him look like a kind man and a responsible monarch. The speech wins Laertes over, and Claudius gains a powerful ally. Now that his plan to have Hamlet executed by the English king has failed, Claudius needs Laertes’ assistance in eliminating Hamlet.
The two hatch a grand scheme to ensure that Hamlet will not escape again. As in the murder of King Hamlet, undetectable poison serves as the weapon of choice for Claudius. Like his malicious intentions, which he masks with sweet sentiments, Claudius’ penchant for poison proves his insidiousness. Hamlet’s statement in his letter that he has returned naked to Denmark leads to the conclusion that he will face Claudius alone. The conspirators have every reason to expect success in their plot, especially as Laertes is as renowned for his swordsmanship as is Hamlet.
Once again Laertes serves as the perfect foil for Prince Hamlet. He minces no words and loses no time on regret. His deep anguish over the loss of his father and sister commits itself to murder. Laertes is immediately ready, able, and willing to act. A sympathetic and formidable adversary for the sympathetic and formidable prince, Laertes will garner as much support from the audience as Hamlet will, and the confrontation will be doubly moving as the audience will be torn in its allegiance.
A note on Ophelia’s characterization: Although Gertrude reports that Ophelia fell in the stream and drowned, there is evidence that her death is a suicide. The first proof can be found in her present state. Faced with the reality of premarital sex and a manless future—Hamlet did not want her, her father was dead, and her judgmental brother was in France—Ophelia would have recognized no other solution but suicide. Another proof is evident in the circumstances of her death. Some critics believe her drowning proves that she was pregnant and, consequently, committed suicide. While no concrete evidence of a pregnancy exists, critics point to the fact that in the 16th and 17th centuries, the conventional suicide method for an unmarried pregnant woman was drowning.
Claudius’ evil ambition has infected Laertes, despite the fact that Laertes has been in Paris, away from Claudius’ influence. Hamlet has returned to put right what he perceives as Claudius’ wrongs, but by causing the deaths of Polonius and Ophelia, Hamlet has become an instrument of the evil he opposes. That something is rotten in the State of Denmark, as Marcellus observed in Act II, is now clear throughout the kingdom.
Glossary
| | unsinew’d |
| weak. |
|
| | conjunctive |
| closely united. |
|
| | timber’d |
| made of wood that is too light. |
|
| | checking at |
| swerving aside from; a term in hawking. |
|
| | livery |
| the characteristic clothing worn by members of a particular group or trade. |
|
| | his sables and his weeds |
| dignified robes. |
|
| | incorps’d and demi-natur’d |
| an integral part of the body. |
|
| | scrimers |
| fencers. |
|
| | passages of proof |
| proven by events. |
|
| | snuff |
| accumulation of smoldering wick that caused the candle to smoke and burn less brightly. |
|
| | plurisy |
| excess. |
|
| | quick o’ the ulcer |
| the heart of the matter. |
|
| | sanctuarize |
| give sanctuary to a murderer. |
|
| | foils |
| long, thin swords with a button on the point to prevent injury, used in fencing. |
|
| | unbated |
| not blunted. |
|
| | pass of practice |
| a treacherous thrust or a warming-up exercise. |
|
| | mountebank |
| quack doctor. |
|
| | cataplasm |
| a poultice, often medicated. |
|
| | simples |
| medicinal herbs. |
|
| | Under the moon |
| To be most effective, herbs are gathered by moonlight. |
|
| | gall |
| scratch, draw blood. |
|
| | nonce |
| occasion. |
|
| | hoar |
| gray. |
|
| | coronet weeds |
| garlands of flowers. |
|
| | envious silver |
| malicious branch. |
|
| | lauds |
| hymns of praise. |
|
| | indu’d |
| endowed, belonging to. |
|
| | lay |
| song. |
|
| | douts |
| extinguishes; literally, do out. |
|